Saturday, October 29, 2011
The Legacy of a Godmother
Friday, October 21, 2011
Teacher Inservice
Friday, October 14, 2011
Island Ho




The deadening of a tin roof
7,302. That is how many words I wrote yesterday on William Blake and read today in a lecture entitled "What is so fearful about Blake's Symmetry." And why I did that will just have to wait.
Ahh, but I was distracted with my didacticism. I meant to tell you whither I went on Saturday and whence I returned. The elections were Saturday and Sunday, so Phil wanted to get out of town. Off we went in the Lutheran mobile, Phil, Mia, and myself. After a while of driving and one police inspection, we whirled off the main road and down a ravine. Then up through a creek and across a roadless meadow. But wow, was it ever worth it. There we were at a small cottage next to a lake. We were going camping! And we did, we even slept in a tent. There was no electricity though so we went to bed at 8.30. Now that sure is hard when I usually go to bed at midnight and awake at 6.30. But I can count sheep with the best of them, after all I still want to herd sheep on the slopes of Mt. Ida in the hopes that pretty goddesses will come and ask me to make a decision that will affect the entirety of western literature. We camped and canoed and I sat beside the lake and caught no fish despite having a line with bait in the water.
But I am sure you burn to know (much like a certain Tiger, eh?) about the number heading this post. About four weeks ago, Oliver—the head of English at ColPro—was telling me about a second job he has teaching at a private school. They were working on the poems of Blake. He asked if I liked Blake’s work and I responded positively. The next week, he asked when I would like to give my lecture on Blake’s poems. How out of the blue can one get! But since I am rather starved for academic settings, I agreed. This is, let you know, without having read Blake since my freshman year at Bard when we read The Marriage of Heaven and Hell. But I have The Tiger memorized, since it once seemed like something I ought to do. So I agreed to give a lecture two weeks away. And the time passed and I learned that I would have two hours. Well, I figured it was about time to actually read something. Out came the iPad and down(loaded) came the Songs of Innocence and the Songs of Experience. And with them turned on my PhD candidate mind (actually the mind belongs to an accredited Master, as well at this point). Turns out I have a great deal to say about what I termed, stealing from Blake, his fearful symmetry. I unveiled a series of readings across the doubled poems that showed him deeply antagonistic to the industrial revolution, the hypocritical church, and the privilege of the imagination, and the wisdom of the pre-natal child brought into a world of suffering on account of having to hide ignorance and suffer “mind-forged manacles.” None of this is particularly new, but the way I did it was. I analyzed the deployment of various meters and rhyme schemes. It was tremendously successful, and at the close three of the teachers at Mercy Bilingual School all congratulated me and asked to have a copy of the talk that they could study further. It was a pretty well structured talk as well, opening as it did with an emphasis on the industrial revolution and specifically the change in textiles (which I naturally linked to the Text in Textile). Following this I gave a talk on the literary milieu, with an emphasis on Romanticism. And then onto the talk. It was great fun. I stood and lectured, then would turn and write on the board with such definitions as Metapoetic, Trope, Concatenation, Anapestic heptameter, and so on and so forth. Here is an example of something I said. On the poem Holy Thursday in Songs of Innocence, there is an identically titled poem in Experience. Here is the first stanza:
’Twas on a holy Thursday, their innocent faces clean,
The children walking two and two, in red, and blue, and green:
Grey-headed beadles walked before, with wands as white as snow,
Till into the high dome of Paul’s they like Thames waters flow.
Unlike our introductions, these two poems do not at first seem very similar, apart from their titles. The one from Innocence has three stanzas, rhyming aabb in heptameter (seven feet). It is a poem of great solemnity and its long poetic lines mimic the long lines of the children flowing through. Along the lines of this metrical mimesis, we can see that the children advance two by two even as the rhyme scheme advances two by two (aa, bb, etc).
Following this I have a lengthy discussion of the simile, the idea of purification by filth. The whole discussion ends by pointing to the fact that the church forces this pageant on the children in order to elicit pity (i.e. donations) from observers. Thus the children are like the Thames because the Thames connected London to its mercantile empire.
I did similar scenarios with eleven other poems. Afterward, there was supposed to be question and answer, but it was deeply unhelpful because the students just wanted me to answer questions in the little preparation booklet for their Exam that they take (it is an international one like the Bac). But if they had listened to my talk, they would know that I had answered “Explain why Blake uses simple sentence structures.” Or, “Could one say that Blake opposes the Industrial Revolution.” Or “What emphasis does Blake place on prophecy.” All these question I had answered. So, that was too bad. Then the teachers and I went to the headquarters and drank cokes and chewed meat-on-sticks. It was enormously satisfying. One other wondrous moment came as I was reading a particularly passionate section of my paper—on church Hypocrisy—and the skies split open and rain drowned out my ability to talk by striking so hard on the tin roof. I had to wait a while.
Friday, October 7, 2011
comment tu sais
Name:________________
Class:_________________
Part I: Reading Comprehension. 10 Points
Read the following passage and then answer the questions in complete sentences.
Kepha’s grandmother brought him up and taught him to read and to write. Kepha did well in school, and he won a scholarship to study in France. When he got to France, he was scared because everything was so different. He felt clumsy and was very unhappy. He missed his family. Soon he overcame his fear and made many friends. He began to write stories and poems about his life in Douala. They were very popular, many people read them, and they made Kepha famous. One day he got a phone call from his sister. She said that his grandmother was sick. Kepha returned home to take care of his grandmother.
1) Who brought up Kepha?
2) Why was Kepha scared in France?
3) What two nouns do the underlined pronouns replace?
4) Why did Kepha return home to Douala?
5) What did Kepha do in France that made him famous?
Part II. Grammar. 5 points
Look at the picture and then answer the questions with the correct preposition.
1) The chair is _______ the door. [in front of, on, under]
2) The desk is _______ the window. [under, above, behind]
3) The mirror is ________ the towel and the window [under, in front of, between]
4) The bed is _________ the photographs. [under, between, behind]
5) The towel is ________ the wall. [on, next to, above].
Part III. Vocabulary. 5 Points.
Translate the following words.
le poulet:____________________ boire:____________________
le pain:____________________ porter:_______________________
les haricots:____________________ heureux:_____________________
l’œuf:____________________ une chemise:__________________
le demain:____________________ un costume:___________________
Saturday, October 1, 2011
A walk through Ngaoundere



Wherein the Shoes Get Wet
Throughout my schooling, I have never really lost sleep for an assignment, never pulling an all-nighter, never really awakening early than was my want for finishing homework. Nor have I lost sleep on account of concern for an approaching exam either quiz or test. And so it was an entirely new experience for me to find, on Thursday night and well into Friday morning, that I was tossing back and turning forth with a vast restlessness. And I was the one giving the exam. I found myself wondering, if it was too short, if the students would be insulted by its ease, what to do about the ones who weren’t there, if after the first group took it they would swiftly tell their friends what was on it. Then I began to worry that my students were stressing about the exam and that perhaps I should have reassured them that a quiz is only a way for me to gauge where the class as a whole stands. Well, I will sleep soundly from now on, because out of about 110 quizzes only two aced it. The average grade was between 8 and eleven with a shocking number of 0-4.5. Here is the quiz:
Vocabulary, 20 questions, each worth .5 points
Answer a question in the negative with and without a contract, 1 point for each answer
Complete the sentences: Yesterday…Today…Tomorrow… each worth 2 points
Total 20 points.
Not exactly hard especially because on Wednesday, as a class, we reviewed vocabulary through a series of games. On Thursday we reviewed contractions, and we are always doing tense work.
So this has come as rather a striking blow. I really thought that things were going smoothly. Whenever I stroll about the class for the aural part of the class period the students can answer the questions, sort of. I suppose that I will have to start assigning more homework, but it is really rather impossible to grade 110 assignments every night, and just checking for completion does not help the students. I’ll come up with something I suppose. On another side, it was interesting to see the way that the students wrote out the exam. The majority section off the paper with an inch margin on the right side and then draw another line perpendicular to that sectioning off an inch and a half of the top. In the right hand corner they write their names and section. It is rather elegant. Then in the upper left corner they put the date. These students, let it be known, love rulers. If there is even a hint of a chance of using a ruler they leap at it. I suppose it is because it allows maximum space control, for as much as they love rulers, they hate to tear out paper from their cahiers. That is why I gave them the paper for the quiz. Providing the paper also provided, I thought, a way to convey the import of the occasion. I also wore my suit coat and waited for them inside. You will recall that normally I wait until the students are all inside before swinging forth and brandishing my finger. A finger that now, upon their receipt of their quizzes and grades, I fear that they may want to cut off and nail to the chalkboard.
Make sure to look at the next post for a slew of pictures of Ngaoundere.